翻訳と辞書
Words near each other
・ Chicago White Sox minor league players
・ Chicago White Sox Radio Network
・ Chicago White Stockings
・ Chicago Wilderness
・ Chicago Wildfire
・ Chicago Wind
・ Chicago Winds
・ Chicago Wings SC
・ Chicago Wolfe Tones GFC
・ Chicago Wolves
・ Chicago Women's Liberation Union
・ Chicago World Trade Center
・ Chicago World's Fair
・ Chicago X
・ Chicago XI
Chicago XIV
・ Chicago XXX
・ Chicago Yacht Club
・ Chicago Yacht Club Race to Mackinac
・ Chicago Youth Symphony Orchestras
・ Chicago Zen Center
・ Chicago – New York Electric Air Line Railroad
・ Chicago's First Lady
・ Chicago's Jesuit University
・ Chicago, Attica and Southern Railroad
・ Chicago, Burlington & Quincy Railroad Co. v. City of Chicago
・ Chicago, Burlington & Quincy Railroad Co. v. Krayenbuhl
・ Chicago, Burlington & Quincy Railroad Depot (Wyoming, Illinois)
・ Chicago, Burlington & Quincy Railroad Station (Canton, Illinois)
・ Chicago, Burlington and Quincy Depot (Red Oak, Iowa)


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Chicago XIV : ウィキペディア英語版
Chicago XIV

''Chicago XIV'' is the twelfth studio album by the American band Chicago, released in 1980. Recorded at a time of waning interest in the band, ''Chicago XIV'' remains one of Chicago's poorest selling albums and was a commercial flop. It is also notable for being their last studio album with Columbia Records, and the last one to feature percussionist Laudir de Oliveira.
==Background==
After the commercial and critical disappointment of ''Chicago 13'', and the departure of guitarist Donnie Dacus, Chicago decided that a new strategy was in order. Instead of incorporating another guitarist into the band, they instead hired on Chris Pinnick as a session player and live performer. They also tried a new producer, this time Tom Dowd, who had worked with Aretha Franklin, Cream, Eric Clapton, and Toto. With Dowd taking the reins, and with Chicago abandoning the ill-advised dance club atmosphere that permeated the last album, the team recorded a lean, more streamlined record which would, predictably, be called ''Chicago XIV''. Possibly designed as a response to the under-produced, new wave efforts on the radio at the time, the album was easily the band's least orchestrated effort to date. Still, it wasn't a perfect marriage, with Dowd having to shepherd a group whose members were not all on the same wavelength or headspace.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Chicago XIV」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.